Like I get that if I'm listening to music for young people I should expect some angst. But cant you just be angsty differently than everyone else
oh man, i could go on and on about this and think the subject is segmented and doctoral thesis worthy.
back in the day the board at Hi didn't sound like the board at Stax, which was different than the board at Olympic, which was different than the board at Abbey Road.
there was the Detroit sound, and the Memphis sound, and the Philly sound, and the Cali vibe
the recording and mastering engineers were idiosyncratic as were the producers
nowadays its all digital, everyone's using the same plug-ins on the same settings thru the same daws and worst of all, it's quantized, the result being... most of it is pure shite
of course it's more nuanced than that and good music is still out there but 'commercial music'? **** that, it has been commodified and homogenized to sound like anywhere and 'anywhere' in this instance sucks